The two sequences of this book form a braided ars poetica: “Killing Plato” and “Writing.” The first is a numbered sequence of twenty-eight poems organized around an accident: a pedestrian has been hit by a truck and is dying in the middle of the road. Various characters appear—the philosopher Michel Serres, Robert Musil, a woman smoothing out her stocking, the truck driver, a boy on a balcony, the Spanish poet Jesús Aguado.…

“Who was Samuel Greenberg?” editor Garrett Caples asks: “The short answer is ‘the dead, unknown poet Hart Crane plagiarized.’” In the winter of 1923, Crane was given some of Greenberg’s notebooks and called him “a Rimbaud in embryo.” Crane included many of Greenberg’s lines, uncredited and slightly changed, in his own poetry. Poems from the Greenberg Manuscripts was edited by James Laughlin, who first published it in 1939. As well as Laughlin’s original essay, Caples includes a new selection of poems from Greenberg’s notebooks, along with some of his prose.…

The one-eyed singer, songwriter, and knight errant Oswald von Wolkenstein (surname literally “Cloud-Stone”) was among the last of the great troubadours. A contemporary of Villon, versed in Petrarch, and a Knight of the Holy Sepulchre, Wolkenstein was lost to history until scholarship in the 1970s recognized him as the German language’s first genuinely autobiographical lyric voice. In the hands of the magician-translator Richard Sieburth, working in the spirited tradition of Ezra Pound and Paul Blackburn, Wolkenstein’s verse rises from the page like a medieval Bob Dylan.…

Sebastián de Covarrubias’s famous Treasure of the Castilian or Spanish Language was first published in 1611, only two years before the author’s death. A contemporary of Cervantes, learned in Hebrew and Arabic languages, Covarrubias wrote his encyclopedic dictionary to explore the heterogeneous origins of words and their hidden connections to the moral, transcendental, and everyday meanings of the world. Here, the translator Janet Hendrickson has dived deep into this influential, pre-Enlightenment text to cull a coherent, poetic selection of Covarrubias’s pioneering work.…