—David Canfield, EW
Indeed, as a feminist piece with a deep romantic core, that might best explain Mrs. Caliban’s ability to emerge as an unlikely literary classic. There’s the sheer entertainment factor — steamy Aquaman sex, anyone?—but then just underneath is a real depth, a quiet brilliance in its study of behavior and circumstance. It cuts through the noise, enlightening while also resonating, soothing in its dreamy surrealism. And isn’t that the perfect recipe for an enduring classic?
By marrying domestic realism with the literature of the bizarre, Ingalls brings tenderness to the monstrous and renders the recognizable utterly weird. Compact yet capacious, the novel wonders at all the ways we can desire and destroy one another. It’s unabashedly campy and deadly serious; it dares the reader to admit that these aims are not at all at odds.
—Ed Park, Village Voice
Some writers make me laugh out loud; Rachel Ingalls makes me cackle. For her 1982 masterpiece, the short novel Mrs. Caliban, Ingalls takes a B-movie premise and pounds it into a thrilling new shape.
Mrs. Caliban is one of my favorite novels in the world.
—Ursula K. Le Guin
Ms. Ingalls is an experienced writer of novels and stories, and her performances are immensely skillful, reminiscent of the best film thrillers.
I loved Mrs. Caliban. So deft and austere in its prose, so drolly casual in its fantasy, but opening up into a deep female sadness that makes us stare. An impeccable parable, beautifully written from first paragraph to last.
A perfect novel.