The Dry Heart begins and ends with the matter-of-fact pronouncement: “I shot him between the eyes.” As the tale—a plunge into the chilly waters of loneliness, desperation, and bitterness—proceeds, the narrator’s murder of her flighty husband takes on a certain logical inevitability. Stripped of any preciousness or sentimentality, Natalia Ginzburg’s writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don’t more wives kill their husbands?…

The eleven short stories in this prize-winning collection pivot on life’s ambiguities and the central question they pose in Tabucchi’s fiction: is it choice, fate, accident, or even, occasionally, a kind of magic that plays the decisive role in the protagonists’ lives? Blended with the author’s wonderfully intelligent imagination is his compassionate perception of elemental aspects of the human experience, be it grief as in “Waiting for Winter,” about the widow of a nation’s literary lion, or madcap adventure as in “The Riddle,” about a mysterious lady and a trip in Proust’s Bugatti Royale.…

An early version of Elio Vittorini’s Women of Messina was published in Italian in 1950 and, by the author’s request, never reprinted. After considerable restructuring and rewriting, a second, definitive edition was brought out fourteen years later; it is this novel—Vittorini’s last—which is now appearing for the first time in English translation. Readers familiar with Vittorini’s work will find Women of Messina remarkably suggestive in both spirit and content of his memorable In Sicily (1937).…