Idiosyncratic and fascinating.
—Zadie Smith

Ever since Keith Ridgway published his landmark cult novel Hawthorn & Child, his ardent fans have yearned for more

Available July 6, 2021

A Shock

Fiction by Keith Ridgway

Finally, Ridgway gives us A Shock, his thrilling and unsparing, slippery and shockingly good new novel.

Formed as a rondel of interlocking stories with a clutch of more or less loosely connected repeating characters, it’s at once deracinated yet potent with place, druggy yet frighteningly shot through with reality. His people appear, disappear, and reappear. They’re on the fringes of London, clinging to sanity or solvency or a story by their fingernails, consumed by emotions and anxieties in fuzzily understood situations. A deft, high-wire act, full of imprecise yet sharp dialog as well as witchy sleights of hand reminiscent of Muriel Spark, A Shock delivers a knockout punch of an ending.

Perhaps Ridgway’s most breathtaking quality is his scintillating stealthiness: you can never quite put your finger on how he casts his spell—he delivers the shock of a master jewel thief (already far-off and scot-free) stealing your watch: when at some point you look down at your wrist, all you see is that in more than one way you don’t know what time it is …

Buy from:

Paperback (published July 6, 2021)

ISBN
9780811230858
Price US
17.95
Trim Size
5x8
Page Count
256

Ebook

ISBN
9780811230865

Keith Ridgway

Contemporary Irish writer

Idiosyncratic and fascinating.
—Zadie Smith
Sex, lies, and drugs shape the interlocking and recursive narratives in Irish writer Ridgway’s marvelous latest, revolving around a set of neighboring London houses. This one sets the reader’s mind ablaze.
Publishers Weekly (starred review)
Once this novel clicks into place, its blend of the heady and the visceral is immersive and compelling.
Kirkus (starred review)
Vibrant, wonderfully written, funny, and deeply troubled. The writing is effortlessly lyrical, venturing into extraordinary, at times beautiful interludes of philosophical observation. Read Hawthorn & Child. Better still read it twice: it’s that real, that good, that true.
—Eileen Battersby, The Irish Times
A hundred times worth reading.
—Penelope Fitzgerald