Keith Ridgway

Keith Ridgway

Keith Ridgway is a Dubliner and the author of the novels The Long Falling, The Parts and Animals, as well as the collection of stories Standard Time and the novella Horses. His books have won awards and acclaim in Ireland and internationally and are translated widely. He lived in North London for eleven years but now lives in Dublin. New Directions published his latest novel—Hawthorn & Child—in September 2013.

A Shock

Fiction by Keith Ridgway

Finally, Ridgway gives us A Shock, his thrilling and unsparing, slippery and shockingly good new novel. Formed as a rondel of interlocking stories with a clutch of more or less loosely connected repeating characters, it’s at once deracinated yet potent with place, druggy yet frighteningly shot through with reality. His people appear, disappear, and reappear. They’re on the fringes of London, clinging to sanity or solvency or a story by their fingernails, consumed by emotions and anxieties in fuzzily understood situations.…
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Never Love a Gambler

Fiction by Keith Ridgway

Never Love a Gambler is a showcase for the exceptional talents of Keith Ridgway. The Times (London) praised his stories as “flawlessly structured yarns told in lovingly crafted prose.” Ridgway’s characters negotiate their way through love, madness, lust, anger, religious obsession, crime, and absence in stories told with innovative mastery and brightened by fiercely vivid dialogues. Never Love a Gambler is a mental rust-remover: refreshing, bracing, and often violently funny. 
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Hawthorn & Child

Fiction by Keith Ridgway

Hawthorn & Child are mid-ranking detectives tasked with finding significance in the scattered facts. They appear and disappear in the fragments of this book along with a ghost car, a crime boss, a pick-pocket, a dead racing driver and a pack of wolves. The mysteries are everywhere, but the biggest of all is our mysterious compulsion to solve them. Read an excerpt of Hawthorn & Child published by Granta Books.
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Idiosyncratic and fascinating.
—Zadie Smith
Vibrant, wonderfully written, funny, and deeply troubled. The writing is effortlessly lyrical, venturing into extraordinary, at times beautiful interludes of philosophical observation. Read Hawthorn & Child. Better still read it twice: it’s that real, that good, that true.
—Eileen Battersby, The Irish Times
A hundred times worth reading.
—Penelope Fitzgerald
Brilliantly well done–alive, funny, and deeply troubled.
The Irish Times
Beckett-like emptiness that gnaws at the conscience … Ridgway has clearly arrived to trouble our sleep with wit and violence.
Publishers Weekly
Ridgway’s book is successfully thought-provoking and haunting.
Publishers Weekly
This is a mystery novel unlike any you’ve ever read. Its strangeness is reminiscent of Beckett’s work, and Ridgway is a masterful storyteller.
Largehearted Boy
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