Patti Smith

• With a new afterword and photographs by the author

The National Book Award–winner Patti Smith updates her treasure box of a childhood memoir about “clear unspeakable joy” and “just the wish to know” with a radiant new afterword, written during the pandemic and reflecting on current times. This expanded paperback edition also includes new photographs by the author.

A great book about becoming an artist, Woolgathering tells of a child finding herself as she learns the noble vocation of woolgathering, “a worthy calling that seemed a good job for me.” She discovers—often at night, often in nature—the pleasures of rescuing “a fleeting thought.” Woolgathering calls up our own memories, as the child “glimpses and gleans, piecing together a crazy quilt of truths.” Smith shares the fierce, vital pleasures of stargazing and wandering. Her new Afterword, penned during the quarantine, opens new horizons in “the scarcely charted landscape of memory governed by clouds.”

Woolgathering celebrates the sacred nature of creation in Smith’s singular language, acclaimed as “glorious” (NPR), “spellbinding” (Booklist), “rare and ferocious” (Salon), and “shockingly beautiful” (New York Magazine).

A novel of love and valor, war and stupidity, life and death (as well as what may lay beyond our mortal coils), Baron Bagge concerns a young Austrian cavalry lieutenant in the Carpathian mountains at the beginning of WWI. The baron leads a desperate charge across a bridge to meet the Russian forces, following the orders of his mentally unstable commander:

“We were soon to have proof of his unreliability… But perhaps it is not right to place the blame on him. Perhaps his foolishness was merely the instrument of fate, and the disaster into which he led his squadron, the slaughter of so many men and horses, took place in order that something which could no longer happen within the realm of the living—because it was too late—could happen after life.” And, swaying in a kind of fugue, the baron wanders off the bridge into unknown realms, where—mesmerized by Lernet-Holenia’s phosphorescent style—the reader joins his waking dream.

The Divorce tells about a recently divorced man on vacation in Buenos Aires. One afternoon he encounters a series of the most magical coincidences. While sitting at an outdoor café, absorbed in conversation with a talented video artist, he sees a young man riding by on a bicycle get thoroughly drenched by a downpour of water—seemingly from rain caught the night before in the overhead awning. The video artist knows the cyclist, who knew a mad hermetic sculptor whose family used to take the Hindu God Krishna for walks in the neighborhood. As the coincidences continue to add up, the stories concerning each new connection weave reality with the absurd until they reach a final, brilliant, cataclysmic ending.

As if the reader were riding shotgun, this intensely vivid novel captures a life on the lam. “L’astragale” is the French word for the ankle bone Albertine Sarrazin’s heroine Anne breaks as she leaps from her jail cell to freedom. As she drags herself down the road, away from the prison walls, she is rescued by Julien, himself a small-time criminal, who keeps her hidden. They fall in love. Fear of capture, memories of her prison cell, claustrophobia in her hideaways: every detail is fiercely felt.

Astragal burst onto the French literary scene in 1965; its fiery and vivacious style was entirely new, and Sarrazin became a celebrity overnight. But as fate would have it, Sarrazin herself kept running into trouble with the law, even as she became a star. She died from a botched surgery at the height of her fame. Sarrazin’s life and work (her novels are semi-autobiographical) have been the subject of intense fascination in France. Patti Smith, who brought Astragal to the attention of New Directions, contributes an enthusiastic introduction to one of her favorite writers.

New Directions is pleased to announce the relaunch of the long-celebrated bilingual edition of Rimbaud’s A Season In Hell & The Drunken Boat — a personal poem of damnation as well as a plea to be released from “the examination of his own depths.” Rimbaud originally distributed A Season In Hell to friends as a self-published booklet, and soon afterward, at the age of nineteen, quit poetry altogether. New Directions’ edition was among the first to be published in the U.S., and quickly became a classic. Rimbaud’s famous poem “The Drunken Boat” was subsequently added to the first paperbook printing. Allen Ginsberg proclaimed Arthur Rimbaud as “the first punk” — a visionary mentor to the Beats for both his recklessness and his fiery poetry. This new edition proudly dons the original Alvin Lustig designed cover, and a introduction by another famous rebel — and now National Book Award-winner — Patti Smith.

For all his charm and intelligence poet Gregory Corso lived a vagabond life. He never held down a regular job. Until his final years, he rarely stayed very long under the same roof. He spent long stretches––some as long as four or five years––abroad. Many of his letters came from Europe––France, England, Germany, Italy, Sweden, Greece––as he kept in touch with his circle of friends––among them his best friends Allen Ginsberg and Lawrence Ferlinghetti. He left (or was left by) a number of girlfriends and he gathered five children along the way. He was apt to raise a bit of a ruckus at poetry readings and other public events. No one could be sure what he might do next except that he would write poetry and get it published and that it would be widely read. When the idea of a book of selected letters was first proposed, Gregory had some reservations about it. Would the book reveal too much about his private life? But then with typical hubris he said the equivalent of “let it all hang out” and “all” does hang out in An Accidental Autobiography. The book is indeed the next thing to an unplanned self-portrait and gives a lively sense of the life Gregory Corso led, marching to his own drummer and leaving in his wake such marvelous books of Beat poetry as The Happy Birthday of Death, Elegiac Feelings American, Long Live Man, and Herald of the Autochthonic Spirit.