—Lydia Davis, The New YorkerIn Alomar’s stories, fantasy never devolves into mere whimsy. His magical imaginative creations are, every one, inspired by his deeply felt philosophical, moral, and political convictions, giving these tales a heartfelt urgency.
Osama Alomar: Nina SubinBorn in Damascus, Syria in 1968 and now living in Pittsburgh, Osama Alomar is the author of three collections of short stories and a volume of poetry. He is a regular contributor to various newspapers and journals within the Arab world.
Translated from the Arabic by Osama Alomar C. J. Collins
—Bradley Babendir, New RepublicAlomar’s work speaks to the power that words can have when they’re constrained, be it by style or by necessity… a master of the form.
—Yahia Lababidi, World Literature TodayDespite their apparent playful wit, Alomar’s deceptively slight short stories have teeth and bite. In spare, accessible prose, one encounters the painful and bitter poetry of exile running like a blood-red thread through this slim but dense collection.
—Publisher’s WeeklyThere are no wasted words in Alomar’s beautiful collection of very short fictions. Philosophical and subversive, these tiny parables deconstruct human failings with a keen insight.
—Kirkus (starred review)Swamps and streams, lightning and dogs all play a part in these beguiling, suggestive fables. The stories are of perfect length, but one wishes the book went on for much longer.
—Publishers Weekly (starred review)There are no wasted words in Alomar’s beautiful collection of very short fictions. Philosophical and subversive, these tiny parables deconstruct human failings with a keen insight.
—Rabeea Saleem, Chicago Review of BooksAlomar’s sly moral fables and sharp political allegories are shrewd and full of intelligence.
—Larry Rohter, The New York TimesIn the Arab world, the Syrian writer Osama Alomar has a growing reputation as the author of short, clever parables that comment obliquely on political and social issues. But here in Chicago, where he has lived in exile since 2008, he spends most of his time as the driver of Car 45 at the Horizon Taxi Cab company.
—Lydia Davis, The New YorkerIn Alomar’s stories, fantasy never devolves into mere whimsy. His magical imaginative creations are, every one, inspired by his deeply felt philosophical, moral, and political convictions, giving these tales a heartfelt urgency.
—The American[His stories] convey a raw combination of beauty and resignation, as if the two were created to reside under the same roof, hope and hurt at one …. Alomar is a man of small but universally affecting insights.
—Emma Jacobs, Asymptote BlogThe stories’ distinctive flavour comes from Alomar’s masterful shifts of character perspective within extremely tight parameters.…The book is full of these moments which trip you up, swing bluntly from one psyche to another, rapidly decelerate time and play with scale, all of it exposing the delicate balance of our presumptions and allegiances; the small dictatorships that we foster second by second.
—Lydia Davis , *The New Yorker *In Alomar’s stories…fantasy never devolves into mere whimsy. His magical imaginative creations are, every one, inspired by his deeply felt philosophical, moral, and political convictions, giving these tales a heartfelt urgency.
