Few writers achieve success in more than one genre, and yet if Tennessee Williams had never written a single play he would still be known as a distinguished poet. The excitement, compassion, lyricism, and humor that epitomize his writing for the theater are all present in his poetry. It was as a young poet that Williams first came to the attention of New Directions’ founder James Laughlin, who initially presented some of Williams’ verse in the New Directions anthology Five Young American Poets 1944 (before he had any reputation as a playwright), and later published the individual volumes of Williams’s poetry, In the Winter of Cities (1956, revised in 1964) and Androgyne, Mon Amour (1977).…

This collection of previously unpublished one-acts includes some of Tennessee Williams’s most poignant and hilarious characters: the tough and outrageous drag queens of And Tell Sad Stories of the Deaths of Queens…; the betrayed wife who refuses to take a lover in The Fat Man’s Wife; and the extravagant mistress who cheats on her married man in The Pink Bedroom. Most of these plays were written in the 1930s and early 1940s, when Williams was already flexing his formindable theatrical imaginations: lovers scramble for quick assignations in the closed movie theater balcony of These Are the Stairs You’ve Got to Watch; Chekovian-style family ennui in Summer at the Lake leads to heartbreak; and in Thank You, Kind Spirit a mulatto spiritualist from New Orleans’ French Quarter is visciously exposed as a fraud – or is she?…