The poetry proves again that stereotypes mislead. Chinese verse is supposedly cool and distant, detached and dispassionate. The opposite seems true; poets are exalted or downcast, drunk with wine or, in the case of women, frankly sensuous …. Nothing stands still in this poetry: the wind blows the trees, the lake water ripples and the ever-present road runs in and out of the hills.
America

Available February 1, 1982

Women Poets Of China

Fiction by Kenneth Rexroth

This book (originally published in 1972 by The Seabury Press as The Orchid Boat) is the first representative collection of the poetry of Chinese women to appear in English. Unlike Japan with its long tradition of women writers, poetry by women did not become fashionable in China until the Ch’ing dynasty (1644-1911), although poems from earlier centuries that do in fact survive will quickly dispel any stereotyped views. Included here are samplings from the legendary earliest poetry of courtesans, palace women, and Tao priestesses to works by contemporary Chinese women living in both the East and West. Appendixes include notes on the poems, an introductory essay on Chinese women and literature, a table of historical periods, and a bibliography.

Editions: Paperback

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Paperback (published February 1, 1982)

ISBN
9780811208215
Price US
15.95

Kenneth Rexroth

20th Century American poet, essayist, and translator.

The poetry proves again that stereotypes mislead. Chinese verse is supposedly cool and distant, detached and dispassionate. The opposite seems true; poets are exalted or downcast, drunk with wine or, in the case of women, frankly sensuous …. Nothing stands still in this poetry: the wind blows the trees, the lake water ripples and the ever-present road runs in and out of the hills.
America