Elegant provocations to seize an opera addict’s imagination.

Kirkus

Revolving around the opera, these tales are an “archaeological excavation of the slag-heaps of our collective existence” W. G. Sebald

Temple of the Scapegoat

Fiction by Alexander Kluge

Translated by Isabel Cole Donna Stonecipher Martin Chalmers

Combining fact and fiction, each of the one hundred and two tales of Alexander Kluge’s Temple of the Scapegoat (dotted with photos of famous operas and their stars) compresses a lifetime of feeling and thought: Kluge is deeply engaged with the opera and an inventive wellspring of narrative notions. The titles of his stories suggest his many turns of mind: “Total Commitment,” “Freedom,” “Reality Outrivals Theater,” “The Correct Slowing-Down at the Transitional Point Between Terror and an Inkling of Freedom,” “A Crucial Character (Among Persons None of Whom Are Who They Think They Are),” and “Deadly Vocal Power vs. Generosity in Opera.” An opera, Kluge says, is a blast furnace of the soul, telling of the great singer Leonard Warren who died onstage, having literally sung his heart out. Kluge introduces a Tibetan scholar who realizes that opera “is about comprehension and passion. The two never go together. Passion overwhelms comprehension. Comprehension kills passion. This appears to be the essence of all operas, says Huang Tse-we: she also comes to understand that female roles face the harshest fates. Compared to the mass of soprano victims (out of 86,000 operas, 64,000 end with the death of the soprano), the sacrice of tenors is small (out of 86,000 operas 1,143 tenors are a write-off).”

Translated from the German by Isabel Cole, Donna Stonecipher, and Martin Chalmers

Your Independent Bookstore Barnes & Noble

Paperback (published January 23, 2018)

ISBN
9780811227483
Price US
18.95
Price CN
24.95
Trim Size
5 x 8
Page Count
288

Ebook (published January 23, 2018)

ISBN
9780811227490

Alexander Kluge

Alexander Kluge is a famous German filmmaker and author.

Elegant provocations to seize an opera addict’s imagination.

Kirkus

Kluge’s genius is for exposing those little interruptions, those moments that escape the totalizing systems.

—Ben Lerner, Artforum

Comet-like fragments that whistle through the European past and present

Times Literary Supplement

Elegant provocations to seize an opera addict’s imagination.

Kirkus

Finely drawn and often ingenious analyses of opera as a genre… Unlike anything Kluge has ever written before…

Bookforum

The real and imagined history of opera, the landscape of emotions, and the “blast furnaces of the soul,” guide Kluge’s captivating collection. Over 100 short stories compose a vision of opera as a durable and protean art form.

Publishers Weekly