Funeral Music for Freemasons

Lars Gustafsson

Lars Gustafsson has an uncompromising vision of the utter complexity of modern life…. he loves to play with possibilities and solutions in a manner that is refreshingly affirmative.

The New York Times Book Review

Funeral Music for Freemasons

by Lars Gustafsson

Translated from Swedish by Yvonne L. Sandstroem

Lars Gustafsson’s Funeral Music for Freemasons (1983), the Swedish writer’s fifth book of fiction to be translated into English, follows the lives of three free spirits of the 1950s, from their aspiring student years in Stockholm to their present realities, so different from their youthful imaginings. Jan Bohman, a brilliant poet become smalltime African merchant––a latterday Rimbaud––is about to be deported from Senegal. Hans (“Hasse" to his friends), an idealistic research physicist, is now a professor at Harvard, leading the protected surburban life of an American academic. Ann-Marie Nöhme, the promising Mozartean soprano in the bonds of whose love both men agonized, has had a failed career in a provincial repertory. How could so much talent have come to so little? Was there something in the Sweden of their youth, and by extension the whole of the industrial West, that prefigured the death of creativity? Or might it have been spent, drained away in love’s passion? Then again, perhaps these years never did in fact happen, memory following one time-line, existence another, so that their real lives seem to have gone unlived. With his customary psychological delicacy and philosophical aplomb, Lars Gustafsson has composed a novel in Funeral Music for Freemasons that, like the Mozart Trauermusik the title invokes, sings a moving dirge for an age.

Buy Funeral Music for Freemasons

Paperback(published May, 01 1987)

ISBN
9780811210188
Price US
16.95

Clothbound(published May, 01 1987)

ISBN
9780811210171
Page Count
160
Portrait of Lars Gustafsson

Lars Gustafsson

Contemporary Swedish novelist, story-writer, poet, critic and professor.

Lars Gustafsson has an uncompromising vision of the utter complexity of modern life…. he loves to play with possibilities and solutions in a manner that is refreshingly affirmative.

The New York Times Book Review