The most wondrous book of the year: by taking what has vanished and turning it into a great piece of literature, the author has performed a magical act.
Die Zeit

Longlisted for the 2021 International Booker Prize, a dazzling book about memory and extinction from the author of Atlas of Remote Islands
Winner of the Helen and Kurt Wolff Translator’s Prize
Winner of the Premio Strega Europeo

Available November 30, 2021

An Inventory of Losses

Fiction by Judith Schalansky

Translated by Jackie Smith

Each disparate object described in this book—a Caspar David Friedrich painting, a species of tiger, a villa in Rome, a Greek love poem, an island in the Pacific—shares a common fate: it no longer exists, except as the dead end of a paper trail. Recalling the works of W. G. Sebald, Bruce Chatwin, and Rebecca Solnit, An Inventory of Losses is a beautiful evocation of twelve specific treasures that have been lost to the world forever, and that, taken as a whole, open mesmerizing new vistas of how to think about extinction and loss.

With meticulous research and a vivid awareness of why we should care about these losses, Judith Schalansky, the acclaimed author of Atlas of Remote Islands, lets these objects speak for themselves: she ventriloquizes the tone of other sources, burrows into the language of contemporaneous accounts, and deeply interrogates the very notion of memory.

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The most wondrous book of the year: by taking what has vanished and turning it into a great piece of literature, the author has performed a magical act.
Die Zeit
Strewing such riddles along the way, Schalansky leads the astonished reader on a zigzag course through the labyrinth of human consciousness to excavate what the philosopher Francis Bacon termed those “remnants of history which have casually escaped the shipwreck of time.” If the result is inescapably an elegy of sorts—truly “An Inventory of Losses”—it is a curiously moving and oddly reassuring one.
—Anna Mundow, Wall Street Journal
Instead of a requiem for what is gone, Schalansky sings a dirge for what remains.
The White Review
It is hard to imagine a better guide to the resources of hope than Schalansky’s deeply engaging inventory.
—Michael Cronin, Irish Times
There are essays of wry wisdom…Jackie Smith’s translation shimmers, various as the damselflies.
A fine example of everyone’s favourite genre: the genre-defying book, inspired by history, filtered through imagination and finished with a jeweller’s eye for detail.
—John Self, The Guardian
In rich, evocative, precise prose—beautifully translated from the German by Jackie Smith—Schalansky recalls these lost things and meditates on their destruction, all the while interrogating the extent to which memory—or writing—can compensate for material loss.
—Francesa Wade, The Baffler
Brilliant….an ambulatory and often playful meditation on history and forgetting.
—Kate Zambreno, New York Times
Schalansky treats each of the 12 objects cataloged in her new book with an almost religious awe, like a believer giving herself up to be inhabited by spirits.
Los Angeles Review of Books
In each case Schalansky has alighted on fascinating material, and her delicately poetic turn of phrase is evident on every page.
The Telegraph
A celebration of what can still be accomplished with imagination, paper, and ink.
—Anthony Doerr
Exquisite. Like the hero of Joris-Karl Huysmans’s novel À Rebours, who sets off for London from Paris but realizes he need go no further than the Gare du Nord, Schalansky decides to make a virtue of absence.
—Robert Macfarlane
Utterly fascinating.
—Rosmarie Waldrop
Schalansky cements her reputation as a peerless chronicler of the fabulous, the faraway, and the forgotten.
Publishers Weekly (starred)
Twelve fictional essays comprise this stunning work depicting animals, places, objects, and buildings that are lost forever… Not to be read quickly but savored and contemplated.
Library Journal (starred)
An exploration of extinct animals and objects told through dazzling stories that question the bounds of memory and myth.
Kirkus (starred)