Alison Mills Newman’s novel Francisco—“profoundly underappreciated” (NY Times)—has long been out of print and impossible to find. Written in her early twenties in a “fluently funky mix of standard and nonstandard English” (Harryette Mullen), Mills Newman tells the vibrant story of a young black woman’s love affair with an indie filmmaker, Francisco. Described as “a portrait of the artist as a young black woman trying to find a way back to herself” in the new foreword by Saidiya Hartman, Francisco unfolds like an on-the-road diary of a young actress and musician as she becomes increasingly disillusioned with success in Hollywood.…