Michael Palmer

The Laughter of the Sphinx

by Michael Palmer

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Thread

Poetry by Michael Palmer

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Active Boundaries

Nonfiction by Michael Palmer

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The Company Of Moths

Poetry by Michael Palmer

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Codes Appearing: Poems 1979-1988

Poetry by Michael Palmer

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The Promises Of Glass

Poetry by Michael Palmer

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The Lion Bridge

Poetry by Michael Palmer

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At Passages

Poetry by Michael Palmer

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Ground Work

Poetry by Robert Duncan

With a contribution by Michael Palmer

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Palmer’s poems can suggest multiverses, silent but spectrally there.

—James Gibbons, Hyperallergic

Depending on the poem, the laughter here is by turns bitter, wistful even playful, but typically inflected by a sense of enigma. Returning again and again to songs and singing, to voices and voicelessness, Palmer continues to push the boundaries of poetry with dream songs that explore the place of poetry in a surreal world ‘where headless horseman sing/fevered songs/of self and war.’ Palmer writes with uncanny precision about this world, a world that this book finds to be as beautiful as it is violated, and his poetry often achieves an ecstatic pitch, but one in which pain is rarely absent.

—Jon Thompson, Free Verse

The music in these verses never exhausts itself […] Palmer recomposes the measures of poetic song for our time.

—Benjamin Hollander, New York Times Book Review

The Laughter of the Sphinx…manages to cut deep into the unknowable appeal of the best poetry, some of which Palmer can claim to have written.

Flavorwire

Palmer is among America’s most elegant—and abstract—heirs to modernist poetry.

The Believer

Even more than its music, it emanates silence.

Common Knowledge

The most influential avant-gardist working, and perhaps the greatest poet of his generation. His genius is for making the world strange again.

Village Voice

The foremost experimental poet of his generation, and perhaps of the last several generations.

—Citation for the Poetry Society of America’s Wallace Stevens Award

Exemplarily radical.

—John Ashbery

Magnificent … an astringent blend of surrealism and symbolism.

The New York Times Book Review
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