Hayden Carruth

Hayden Carruth (1921–2008) was born in Waterbury, Connecticut. The poet earned his AB from the University of North Carolina (1942) and his MA from the University of Chicago (1948). Mr. Carruth was Editor of Poetry Magazine, Associate Editor of the University of Chicago Press, and Project Administrator for Intercultural Publications. Since 1953, he worked freelance (copyediting, typing, proofreading) and reviewed books for Hudson Review, Poetry, The Nation, The New Republic, The New York Times Book Review as well as various other magazines and newspapers. The Bollingen, Guggenheim and National Foundations all awarded Mr. Carruth various fellowships. Carruth passed away in 2008.

Tell Me Again How The White Heron Rises .....

Poetry by Hayden Carruth

Tell Me Again How the White Heron Rises and Flies Across the Nacreous River at Twilight Toward the Distant Islands is Hayden Carruth’s fourth book of poetry with New Directions. This is a full and rich collection which has been separated into two parts. Part one offers a varied wealth of poems, remarkable as always for their meditative powers and for their “principled alertness…” (NYTBR). The seccond part is one long poem, “Mother,” a work of fierce emotion addressing the long life and slow torturous death of Carruth’s own mother.…
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Asphalt Georgics

Poetry by Hayden Carruth

America’s paved-over landscape dotted with its oases of shopping malls and franchise strips is the setting for Hayden Carruth’s Asphalt Georgics, a new collection of thirteen poems in the common speech of Upstate New York. Here are the voices of Charlie Spaid, talking of the death of his landlady, Marge; of Septic Tanck, musing on his own peculiar name; of old Capper Kaplinski, still watching the girls pass by; of Art and Poll, back in the old neighborhood.…
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From Snow and Rock, From Chaos

Poetry by Hayden Carruth

Hayden Carruth’s From Snow and Rock, from Chaos - his first book since For You (1970) - contains a selection of his best short poems written between 1965 and 1972. Once again, the setting for many of the pieces is the Green Mountains of Vermont, where the poet and his family have lived for several years. A member of the editorial board of The Hudson Review and a regular contributor to numerou periodicals, he is the editor of the recent comprehensive paperbook anthology The Voice That is Great Within Us: American Poetry of the Twentieth Century (1970).…
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For You

Poetry by Hayden Carruth

This book collects five long poems that have previously appeared, with one exception, only in magazines and limited editions. One critic has called them “virtually secret.” Yet they are probably the heart of Carruth’s poetic achievement, both technically and thematically. Rising from the experience of emotional illness and the asylum, the poems move at intervals and over a period of nearly fifty years toward a sustained, workable view of humanity in crisis.…
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The Collected Poems Of James Laughlin 1935-1997

Poetry by James Laughlin

With a contribution by Hayden Carruth

James Laughlin was best known as the publisher of New Directions Books, but he had also been a dedicated poet. His work is both modern—rich in technical experiment—and ancient—grounded in the Greek and Latin poets. Guy Davenport called Laughlin ’a very ironic Roman poet, and a very salty Greek one. Which is not to say that he imitates anybody, or offers plaster casts of antiquities. He is the real thing.’ Laughlin described himself as a writer of light verse.…
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It is poetry which brings us the kind of satisfaction we associate with the epical sensibility: a communion–but concrete, nothing hazy or suppressive of individual consciousness–in a known world.
—Hayden Carruth
[A] part of our country’s poetic treasure.
—Adrienne Rich
Carruth … has become a substantial poet, one of the finest.
—Jim Harrison, Nation
Over the years many of Carruth’s poems have impressed me, sobered me, moved me. In all of them I find qualities I prize and rarely encounter. But what effects me most is the way these qualities combine, their drive toward wholeness––it’s how the poet’s moments of deep feeling arrive. I’ll say it crudely: they’re gobbets rather than feelings, flesh and thought together, as if torn out, something raw. But not at all in the technical sense. It’s as if a piece of music were to include the felt outcries of the musicians. These moments are so alive, so immediate, that I take their context to be their actual coming about, something unmediated and direct. The effect is tension, conflict, even harshness, getting ripe and opening into resolutions that are beautiful and exciting. I think there is a very human faith underlying this process, faith not only in art but in some sort of dialectic of error, pain and virtue, the tendency of the spirit to clarify itself.
—George Dennison
Bound to no sect, member of no clique, vastly read in the poetry of his own time and of the past, Carruth has been through the force of his own gifts at the mainstream of our poetry when it was gathering its fullest momentum and achieving its richest variety.
—Adrienne Rich, Nation
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