She does no less than escort readers to a heightened level of appreciation of great literature.

School Library Journal

Francine Prose

Francine Prose is the author of many bestselling books of fiction, including A Changed Man and Blue Angel, which was a finalist for the National Book Award, and the nonfiction New York Times bestseller Reading Like a Writer. Her novel, Household Saints, was adapted for a movie by Nancy Savoca. Another novel, The Glorious Ones, has been adapted into a musical of the same name by Lynn Ahrens and Stephen Flaherty, which ran at the Mitzi E. Newhouse Theatre at Lincoln Center in New York City in the Fall of 2007. She is the president of PEN American Center. She lives in New York City.

cover image of the book Piano Stories

Piano Stories

by Felisberto Hernández

Translated by Luis Harss

With a contribution by Francine Prose

Piano Stories presents fifteen wonderful works by the great Uruguayan author Felisberto Hernández, “a writer like no other,” as Italo Calvino declares in his introduction: “like no European or Latin American. He is an ‘irregular,’ who eludes all classifications and labelings — yet he is unmistakable on any page to which one might randomly open one of his books.” Piano Stories contains classic tales such as “The Daisy Dolls,” “The Usher,” and “The Flooded House.”

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cover image of the book Conversations with Kafka

Conversations with Kafka

by Gustav Janouch

With a contribution by Francine Prose

The value of Gustav Janouch’s Conversations with Kafka was immediately recognized when it was first published in America in 1953. Through a series of mishaps, however, the original text did not include several large and critical segments of the manuscript. The missing material, only recovered by chance, was integrated in 1971 into this revised and enlarged edition of Janouch’s extraordinary portrait of Kafka. “The living Kafka whom I knew,” the author writes in his post-script, “was far greater than the posthumously published books, which his friend Max Brod preserved from destruction. The Franz Kafka whom I used to visit and was allowed to accompany on his walks through Prague had such greatness and inner certainty that even today, at every turning point in my life, I can hold fast to the memory of his shade as if it were solidly cast in steel …. [He] is for me one of the last, and therefore perhaps one of the greatest, because closest to us, of mankind’s religious and ethical teachers.”

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She does no less than escort readers to a heightened level of appreciation of great literature.

School Library Journal
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