Fran Ross

by Fran Ross

Oreo

Fran Ross

Oreo

Fiction by Fran Ross

With a contribution by Harryette MullenDanzy Senna

More Information

“Setting out from her black household in Philadelphia to find her deadbeat Jewish father in New York, [Oreo] proceeds through one of the funniest journeys ever, amid a whirlwind of wisecracks in a churning mix of Yiddish, black vernacular, and every sort of English.”

—Danielle Dutton, The Guardian

What a rollicking little masterpiece this book is, truly one of the most delightful, hilarious, intelligent novels I’ve stumbled across in recent years, a wholly original work written in a wonderful mashed-up language that mixes high academic prose, black slang and Yiddish to great effect. I must have laughed out loud a hundred times, and it’s a short book, just over 200 pages, which averages out to one booming gut-laugh every other page.

—Paul Auster, NY Times

The brilliant, hilarious, multilingual, brash, tender, bawdy, and unsentimental voice of Ross’s heroine equals the rare and outrageous voice of Ross herself.

Women’s Review of Books

Readers who enjoy play-on-words and post-modern novels will love this book.

The Reporter

Think: Thomas Pynchon meets Don Quixote, mixed with a crack joke crafter. I’m not sure I’ve ever admired a book’s inventiveness and soul more.

—John Warner, Chicago Tribune

A ground-breaking satire.

The Offing

Hilariously offbeat.

—Danielle Deavens, Essence Magazine

Fran Ross’ voice and bravado threads this inexhaustibly inventive first novel. The author, who died at age 50 in 1985, didn’t release another novel. Still, we can delight in the masterpiece that she created that is just as urgent now as was it was then, if not more so.

—Patrik Henry Bass, NY1

Oreo has snap and whimsy to burn. It’s a nonstop outbound flight to a certain kind of readerly bliss. It may have been first published more than 40 years ago, but its time is now.

—Dwight Garner, The New York Times

A brilliant and biting satire, a feminist picaresque, absurd, unsettling, and hilarious … Ross’ novel, with its Joycean language games and keen social critique, is as playful as it is profound. Criminally overlooked. A knockout.

Kirkus Reviews (starred review)
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