cover image of the book My Work

This brilliant and unflinching work deserves to be a classic.

Publishers Weekly, starred review

From the acclaimed author of The Employees, a radical, funny, and mercilessly honest novel about motherhood

Available Oct, 10 2023

My Work

Fictionby Olga Ravn

Translated by Sophia Hersi Smith and Jennifer Russell

A MOST ANTICIPATED BOOK OF 2023: TIME, LIT HUB, THE MILLIONS

After giving birth, Anna is utterly lost. She and her family move to the unfamiliar, snowy city of Stockholm. Anxiety threatens to completely engulf the new mother, who obsessively devours online news and compulsively buys clothes she can’t afford. To avoid sinking deeper into her depression, Anna forces herself to read and write.

My Work is a novel about the unique and fundamental experience of giving birth, mixing different literary forms—fiction, essay, poetry, memoir, and letters—to explore the relationship between motherhood, work, individuality, and literature.

Paperback(published Oct, 10 2023)

ISBN
9780811234719
Price US
18.95
Trim Size
5x8
Page Count
416

Ebook

ISBN
9780811234726
Portrait of Olga Ravn

Olga Ravn

Contemporary Danish novelist and poet.

This brilliant and unflinching work deserves to be a classic.

Publishers Weekly, starred review

An unflinchingly honest reflection of a woman’s experience of her own body as it becomes a body that belongs also to the child. This experience includes beauty and pain, rage and tenderness, fear, suspicion, doubt…A stunning book that speaks aloud thoughts the reader believed had been theirs alone in long nursery hours of the night.

Kirkus Reviews, starred review

This novel from Olga Ravn, this new golden notebook, needs to be read by absolutely anyone who has known the quiet madness and claustrophobic happiness of the interior, especially mothers who also long for a life of literature. But this novel absolutely needs to be read by everyone else as well. Oh Olga Ravn, always inventing new forms, you are a genius, how do you do it?

Kate Zambreno

My Work is ferocious, horrific, elegant, insightful, irreverent, and funny. Can a woman still be a person after motherhood? Of course not, Ravn argues, or rather, admits. And in prose, poems, and journal entries, she documents all the absurdity and repulsiveness of growing a creature in your body and then raising it. It is a magnificent and satisfying meditation. One of the most honest and revelatory works of fiction about motherhood I have ever read. Ravn’s writing is ecstatic, philosophical, and addictive.

Heather O'Neill, author of When We Lost Our Heads

Olga Ravn writes dazzlingly about the work of motherhood and the work of writing. Reading Ravn’s book, you run through the whole gamut of human emotion, as though you too were a new mother: tears, laughter, anger, fear, pain, frustration. This is powerful writing that’s hard to put down.

Politiken

On the surface, My Work seems quite different in scope [from The Employees]...but something tells me that interacting with humanoids and sentient space objects have more in common with the first stages of motherhood than one might think.

Eliza Smith, Lit Hub

Funny and ruthless.

Shannon Carlin, Time

Ravn has created a truly unique project which is not so much a story as it is an accumulation. It is all the selves, shed and grown, that mothers and birthing people encounter in the slippery aftermath of childbirth; it is the documentation of the mother/art monster problem, a problem that in Ravn’s telling, is as much about addition as it is subtraction.

Amber Sparks, The Brooklyn Rail

At once irrepressibly lively and painfully elusive. The strength of this book is the way that it dramatises a gap between explanation and lived experience.

Caleb Klaces, The Guardian

My Work explores childbirth and motherhood by mixing different literary forms—fiction, essay, poetry, memoir, letters—with [Ravn’s] signature experimental flair.

Sophia Stewart, The Millions

My Work is a marvel, and it puts Ravn in rare company amongst contemporary authors. It’s not often that architects of such finely engineered structures point them toward our collective humanity instead of their own mechanics.

J. Howard Rosier, Words Without Borders