Not your mother’s motherhood lit. Brief, gemlike reflections on adjusting to life under the rule of a baby daughter (called ‘the puma’): it’s a book that will ring both familiar and strange.
NPR (Best Book of the Year)

In paperback at last: Rivka Galchen’s beloved baby bible—slyly hilarious, surprising, and absolutely essential reading for anyone who has ever had, held, or been a baby

Little Labors

Fiction by Rivka Galchen

In late August a baby was born, or, as it seemed to me, a puma moved into my apartment, a near-mute force…. I had imagined that I was going to meet, at birth, a very sophisticated form of plant life, a form that I would daily deliver to an offsite greenhouse; I would look forward to getting to know the life-form properly later, when she had moved into a sentient kingdom, maybe around age three.

In paperback at last: Rivka Galchen’s beloved baby bible—slyly hilarious, surprising, and absolutely essential reading for anyone who has ever had, held, or been a baby. In this enchanting miscellany, Galchen notes that literature has more dogs than babies (and also more abortions), that the tally of children for many great women writers—Jane Bowles, Elizabeth Bishop, Virginia Woolf, Janet Frame, Willa Cather, Patricia Highsmith, Iris Murdoch, Djuna Barnes, Mavis Gallant—is zero, that orange is the new baby pink, that The Tale of Genji has no plot but plenty of drama about paternity, that babies exude an intoxicating black magic, and that a baby is a goldmine.

Editions: PaperbackClothboundEbook

Buy from:

Your Independent Bookstore Barnes & Noble

Paperback (published March 26, 2019)

ISBN
9780811222969
Price US
13.95
Trim Size
4.5x8.25
Page Count
144

Clothbound (published May 17, 2016)

ISBN
9780811225588
Price US
16.95
Price CN
21.95
Trim Size
4 1/2 x 7
Page Count
96

Ebook (published May 17, 2016)

ISBN
9780811222976
Not your mother’s motherhood lit. Brief, gemlike reflections on adjusting to life under the rule of a baby daughter (called ‘the puma’): it’s a book that will ring both familiar and strange.
NPR (Best Book of the Year)
Little Labors offer a glimpse into an unknown future, a chance for women still unsure about children to see how their lives and minds might change.
New Republic
Little Labors has range. It contemplates both “the royalty of infants” and the uselessness of babies (compared to other animals). It’s rare to find a work of likewise small stature grow so ponderously into such an expansive, magnanimous, and living thing. Like a child — if you want — or a book with meaning.
Flavorwire
This essay collection from fiction and science writer Rivka Galchen is not your mother’s motherhood lit. Brief, gemlike reflections on adjusting to life under the rule of a baby daughter (called ‘the puma’) are interwoven with literary and historical references. It’s a book that will ring both familiar and strange.
—Anya Kamenetz, NPR
A highly literary and stylized exploration of motherhood, Little Labors focuses perhaps most on its mysteries. But one thing is clear (and a point Galchen makes with great clarity): “little” and “minor” are often not synonymous.
National Post
As Galchen adeptly demonstrates, the pram in the hall is no longer the sombre enemy of good art—ignoring it is.
—Gavin Tomson, Maisonneuve
Galchen is, for my money, one of the most gifted stylists writing in American English today. Her funniness is otherworldly; she is the reigning champion of litotes, or understatement for effect. Preternaturally deft, Galchen can do almost anything with next to nothing.
Los Angeles Review of Books
Galchen writes like a wide-eyed oracle, in a state of knowing calm, and often plays the observing diarist, noting how the presence of the puma/chicken elicits fresh and baffling reactions from the people she sees daily: her family, a disliked neighbor, the corner drunk. In these short essays, anecdotes, and aphorisms, Galchen views motherhood in equal parts euphoria and dread, and her forays into literature, mostly Japanese, look to unravel the myth of the woman writer, but more so of the mother writer.
The Paris Review
The book is an endearing compilation of social criticism, variously contentious, commonplace, funny and incisive.
Publishers Weekly
Galchen is an elegant and careful writer.
—Willa Paskin, Slate
A book of extraordinary savour, with nearly every sentence calling for an emphatic underline.
—Naomi Skwarna, National Post
An engaging mind offers reflections on being a mother, being a writer, and having a baby.
Kirkus Reviews
Galchen does something more profound than tackle motherhood; she utterly reinvents and reanimates the subject.
—Christopher Bollen, Interview Magazine
A highly original book: I adore Galchen’s quiet and bravery. I am confident that many mothers (and other sleepless readers) will pickup this book and feel that they have found an unexpectedly intimate friend.
—Sarah Ruhl, The New York Times Book Review
Galchen is to fiction what Ferran Adrià is to gastronomy, serving up the whimsical, the startling, and the revelatory in the guise of the delightfully familiar.
—Garth Risk Hallberg, The Millions
Galchen has a knack for taking a thread and fraying it, so that a sentence never quite ends up where you expect.
—James Wood, The New Yorker
A brilliant young writer.
Elle
To read Rivka Galchen is to enter a wonderland where the bizarre and the mundane march in unlikely lockstep.
—Michael Lindgren, The Washington Post
Galchen’s sentences catch your attention and hold it with a tight fist: Delicious.
—Alan Cheuse, NPR
Witty and delightfully intelligent.
—Carolyn Kellogg, Los Angeles Times