Suspenseful, thought provoking, mystical, and haunting. Keene's confident writing doesn't aim for easy description or evaluation; it approaches (and defies) literature on its own terms.
Only a few, John Keene among them, in our age, authentically test the physics of fiction as both provocation and mastery. Continuing what reads like the story collection as freedom project, in Counternarratives, Keene opens swaths of history for readers to more than imagine but to manifest and live in the passionate language of conjure and ritual.
Keene finds inspiration in newspaper clippings, memoirs, and history, and anchors them in the eternal, universal, and mystical.
Keene exerts superb control over his stories, costuming them in the style of Jorge Luis Borges…Yet he preserves the undercurrent of excitement and pathos that accompanies his characters' persecution and their groping toward freedom.
—Sam Sacks, The Wall Street Journal
Of the scope of William T. Vollmann or Samuel R. Delany, but with a kaleidoscopic intuition all its own, Counternarratives is very easily one of the most vividly imagined and vitally timed books of the year. I haven't felt so refreshed in quite a while as a reader.
Queering the script, defying the imperative to be silent, however, does not require confidence or a vision of what progress means. It is, rather, in all its uncertainty and risk, the most basic stuff of—the very matter of—life. It is also the crowning achievement of one of the year’s very best books.
—Brad Johnson, Quarterly Conversation
Keene’s collection of short and longer historical fictions are formally varied, mold-breaking, and deeply political. He’s a radical artist working in the most conservative genres, and any search for innovation in this year’s U.S. fiction should start here.
—Christian Lorentzen, Vulture
Counternarratives proffers a series of stories in which religion and spirituality, art and language, violence and subjugation, homosexuality and eroticism, may shine through a panoply of voices.
—Patrick Disselhorst, Full Stop
Practically every sentence in the book perforates, stretches out, or pries open literary modes designed to be airtight, restrictive, and racially exclusionary…An expert generator of suspense, Keene also turns out to be a skilled humorist, a mischievous ironist, a deft, seductive storyteller and a studied historian.
—Max Nelson, Bookforum
Protean in style, erudite in reference, uncanny in effect, these stories and novellas inhabit, conjure, and invent characters written out of history by slavery, racism, and subordination.
—Mark Sussman, Slate
Who knows what book of spells Keene used to conjure these hypnotic, quasi-historical tales involving mystical convergences?