Rosemary Tonks
Rosemary Tonks (1928-2014) published two poetry collections and six novels, and wrote for The Observer, The Times, The New York Review of Books, The New Statesman, and Encounter, and presented poetry programs for the BBC.
The Halt During the Chase
Sophie—a clever and charming young woman—is trying to get out from under her mother’s thumb. She’s in love with her childhood friend Philip (pragmatic, attractive, a bit of a bore), but she often worries that she loves him too much for her own good, and that he might only be another thumb to crawl under.
Both a sincere bildungsroman of Sophie’s attempt to seize a life for herself and a comic masterpiece with cutting observations and asides, The Halt During the Chase is flutteringly alive as it discusses different forms of love, adulthood (“Isn’t buying new lampshades a form of slow death?”), marriage, insecurity, and stifling British snobbery and classism. Sophie’s voice, fueled by Tonks’s acidic narration, evolves from thrashing about in various traps into a triumphant, croaky-throated liberation song.
The Bloater
Why do the only men I know carry wet umbrellas and say “Umm?” I’m being starved alive. Quick: the first bookshop for a copy of the Kama-Sutra.
Min works at the BBC as a sound engineer, and in theory she’s married, but her husband George is so invisible that she accidentally turns the lights off even when he’s still in the room. Luckily, she has her friends and lovers to distract her: in Min’s self-lacerating, bracingly opinionated voice, life boils down to sex appeal—and of late she’s being courted by an internationally renowned opera singer whom she refers to as The Bloater (a swelled, salted herring). Disgusted by and attracted to him in equal measure, her dilemma—which reaches a hysterical, hilarious pitch—is whether to sleep with him or not.
Rosemary Tonks—the salt and pepper of the earth—is a writer who gets her claws into the reader with all the joy of a cat and a mouse. Vain and materialistic, tender and savage, narrated in brilliant, sparkling prose, The Bloater is the perfect snapshot of London in the 1960s.
Redolent of Swinging-Sixties London, Tonks’s brilliant sex comedy reveals sobering depths beneath its flashing surface… the revival of this beguiling 1967 novel restores a truly original voice to the shelves; a must.
Passion and revulsion, tenderness and cruelty, worldly sophistication and schoolgirl naïveté—outside of the classic will-they-won’t-they set-up of an unlikely romantic pairing, it’s Tonks’s embrace of oppositional forces that provides the source of the novel’s tension, as well as its levity…The joy of reading The Bloater is in the vitality of Tonks’s sentences, which are teeming with sensory particulars and surprising, delightful connections…its republication seems a small miracle.
Writing like this—a bit of Rhys, a bit of Knut Hamsun, a bit of Wyndham Lewis, a bit of Muriel Spark, overlaying the everlasting Shakespeare/Austen/Brontë/ George Eliot marriage drama—is far too beautiful and accomplished to be kept off the shelf. It catches like nothing else the smogs, the rodentine genes, the murky post-War grays, the lurking sexual violence of London, between Hangover Square and Carnaby Street.
Uncommonly good.
— The Guardian
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