We are so fortunate that Mário de Andrade’s rollicking Macunaíma is finally reappearing in English in Katrina Dodson’s dazzling translation.

John Keene
Mário de Andrade

Mário de Andrade

Mário de Andrade (1893–1945) was a poet, novelist, critic, piano teacher, ethnomusicologist, and leading figure in Brazilian culture. He was a central instiga­tor of the 1922 Semana de Arte Moderna (Modern Art Week), which marked a new era of modernism. He spent much of his life pioneering the study and preservation of Brazilian folk heritage and was the founding director of São Paulo’s Department of Culture.

cover image of the book Macunaíma

Macunaíma

by Mário de Andrade

Translated by Katrina Dodson

With a contribution by Katrina Dodson and John Keene

Here at last is an exciting new edition of the Brazilian modernist epic Macunaíma: The Hero with No Character, by Mário de Andrade. This landmark 1928 novel follows the adventures of the shapeshifting Macunaíma and his brothers as they leave their Amazon home for a whirlwind tour of Brazil, cramming four centuries and a continental expanse into a single mythic plane. Having lost a magic amulet, the hero and his brothers journey to São Paulo to retrieve the talisman that has fallen into the hands of an Italo-Peruvian captain of industry (who is also a cannibal giant). Written over six delirious days—the fruit of years of study—Macunaíma magically synthesizes dialect, folklore, anthropology, mythology, flora, fauna, and pop culture to examine Brazilian identity. This brilliant translation by Katrina Dodson has been many years in the making and includes an extensive section of notes, providing essential context for this magnificent work.

More Information

We are so fortunate that Mário de Andrade’s rollicking Macunaíma is finally reappearing in English in Katrina Dodson’s dazzling translation.

John Keene

Macunaíma is a miracle. There’s nothing like it in all of literature. Katrina Dodson is a hero.

Mario Bellatin

Macunaíma is above all a vision of mythical Brazilian consciousness, a picaresque epic of birth, triumph, decline and death.

The New York Times
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