Bataille makes each word matter and every image count.

The New York Times Book Review
Christophe Bataille

Christophe Bataille

After receiving his management degree from École des Hautes Études Commerciales de Paris, he worked for two years in London at L’Oréal, the cosmetics company. During his time there, he began to write and eventually completed his highly-acclaimed Annam, which earned him, at only twenty-one years old, France’s prestigious Prix du Premier Roman.

Upon returning to Paris, Bataille changed jobs and began working in publishing, at Grasset, and he continued to write by night. Since January 2007, he has supported Bibliothèques Sans Frontières (Libraries Without Borders) a young non-governmental organization devoted to helping to provide help in educating citizens of developing countries.

cover image of the book Hourmaster

Hourmaster

In his palace in a city vanquished by the years, the Duke Gonzaga lives consumed by his deep boredom and his passion for young girls. Time passes as marked by the more than two hundred clocks situated throughout the palace. Needing a new hourmaster, Gonzaga employs Arturo to be the keeper of the palace’s timepieces. Arturo––called Gog––also becomes the Duke’s friend and for a time alleviates Gonzaga’s boredom as they share the nightly clock-keeping rounds. There seems to be the beginning of new life in the realm. But, for reasons the reader is to discover, doom settles like fog upon the Duke’s domain.

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cover image of the book Annam

Annam

In 1788, a handful of French monks and nuns set sail for Vietnam. There they preach the Gospels to the peasants of these unknown tropics, and only by chance learn from passing ships about the terror of the Revolution, the death of their King, and the oppression of their Church. After 1792 there is no further news––Europe has forgotten them. In their years of trial these valorous men and women both abandon everything and reinvent everything. The jungle, by its ordeals and its beauties, transforms them; in it they will live and die, having forgotten God in the struggle. Mr. Bataille, who was only 21 when he wrote this short, glittering jewel (which is flawlessly translated from the French by Richard Howard), writes with poetic simplicity and depth. In Howard’s superb translation, Bataille’s style, built around short sentences, achieves a cumulative lyricism that poignantly captures the unfulfilled promise and tragedy of a historic moment that preceded the French conquest of Saigon by more than half a century.

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Bataille makes each word matter and every image count.

The New York Times Book Review

A French novelist’s fable without a moral, in which 218 clocks drown out the hiss of nothingness in an isolated seaside castle.

New York Times Book Review
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