Adam Phillips (born 1954) is a British child psychotherapist, literary critic and essayist. He is known for his books dealing with topics related to psychoanalysis, including On Kissing, Being Bored and Going Sane. His book of essays, Side Effects, explores the relationship between literature and psychoanalysis. Phillips is also the general editor of the second Penguin edition of the selected works of Sigmund Freud and a contributor to the London Review of Books.
Fiction by Herbert Read
translated by Adam Phillips
with a contribution by Eliot Weinberger and Kenneth Rexroth
The Green Child is the only novel by Herbert Read — the famous English poet, anarchist, and literary critic. First published by New Directions in 1948, it remains a singular work of bewildering imagination and radiance. The author
considered it a philosophical fable akin to Plato’s cave.
Olivero, the former dictator of a South American country, has returned to his native England after faking his own assassination. On a walk he sees, through a cottage window, a green-skinned young girl tied to a chair. He watches in horror as a man forces the girl to drink lamb’s blood from a cup. Olivero rescues the child, and she leads him into unknown realms.
with a contribution by Adam Phillips
"My bat-like thought-wings would beat painfully in that sudden searchlight," H.D. writes in Tribute to Freud, her moving memoir. Compelled by historical as well as personal crises, H.D. underwent therapy with Freud during 1933-34, as the streets of Vienna were littered with tokens dropped like confetti on the city stating "Hitler gives work," "Hitler gives bread." Having endured World War I, she was now gathering her resources to face the cataclysm she knew was approaching. The first part of the book, "Writing on the Wall," was composed some ten years after H.D.’s stay in Vienna; the second part, "Advent," is a journal she kept during her analysis. Revealed here in the poet’s crystal shard-like words and in Freud’s own letters (which comprise an appendix) is a remarkably tender and human portrait of the legendary Doctor in the twilight of his life. Time doubles back on itself, mingling past, present, and future in a visionary weave of dream, memory, and reflections.
Nonfiction by Hilda Doolittle (H.D.)
with a contribution by Adam Phillips
Bringing together "Writing on the Wall," composed some ten years after H.D.’s stay in Vienna, and "Advent," a journal she kept at the time of her analysis there, Tribute to Freud offers a rare glimpse into the consulting room of the father of psychoanalysis. It may also be the most intimate of H.D.’s works. Compelled by historical as well as personal crises, the poet worked with Freud during 1933-34. The streets of Vienna were littered with tokens dropped like confetti on the city, stating "Hitler gives work," "Hitler gives bread." Having endured World War I, she was now gathering her resources to face the second cataclysm she knew was approaching. In analysis, Hilda Doolittle explored her Pennsylvania childhood, her relationships with Ezra Pound (inventor of her nom de plume H.D.), Havelock Ellis, D.H. Lawrence, her ex-husband Richard Aldington, and subsequent companion Winifred Ellerman ("Bryher"), as well as her own creative processes. Freud, regarding H.D. as a student as well as a patient, was hardly the detached presence one might imagine. Revealed here in the poet’s words and in his own letters, which comprise an appendix, is the considerate friend, the charming Viennese gentleman––art collector, dog lover, wit––and the pioneer, always revising his ideas and possessed of an insight that could be terrifying in its force.